![]() He managed to get Loud Records, who ended up with the winning bid, to let each member of Wu-Tang sign with the label of their choice. Yet RZA turned out to be a seasoned businessman, taught quickly and effectively by his previous experience being shortchanged by record labels. More than a quarter of a century later, the suicidal choice to launch the group’s career with a such a radical posse cut, that even lacks a chorus, seems like a stroke of genius.ĭJs Kid Capri and Funkmaster Flex performed the track, recorded on a self-produced album, at their respective shows, and the labels unsurprisingly came knocking. It’s a declaration of war and a parade of its soldiers. The extraordinary energy and urgency that emanates from the track is astonishing. Yoram Vazan, owner of the Brooklyn studio Firehouse, where the sessions for Enter the Wu-Tang took place, remembers the musical explosion: “They played me “Protect Ya Neck” and it was very hard and incredible and it never stopped hitting you, you know?” It must be said that this sequence of verses, each just as incisive and arresting as the others, is no less than amazing, with styles and punchlines colliding on a production unhindered by any embellishment. “Protect Ya Neck”, the founding single for Wu-Tang, which was nearly complete by 1992 ( Masta Killa, GZA’s disciple, would join the group later on), is an assault like rap had rarely endured before. Give me five years, and I promise that I’ll get us there.’” “ I said, ‘I want all of y’all to get on this bus. “I used the bus as an analogy,” he recounts. The story is well-known: it was in his apartment at 134 Morningstar Road – that is, far from the cities of Stapleton and Park Hill where these hungry artists began – that the charismatic and determined RZA would convince his accomplices to let him take their destiny in hand and commit body and soul to the venture that was Wu-Tang, at least for the next five years. RZA, who began to produce his own beats and freestyle with Dennis Coles aka Ghostface Killah, his roommate with a checkered past, would bring together his cousins, along with the MCs Inspectah Deck, U-God, Raekwon, and Method Man, like one would enlist the city’s best thieves for the heist of the century. That was enough to lead the two cousins to set up shop themselves, forming the trio All In Together with a third member known as Ol’ Dirty Bastard. Yet Cold Chillin’ hardly made an effort to promote its new aspiring star and Tommy Boy opted out of making an album (the label also wouldn’t pay bail for RZA upon his incarceration in Ohio). As for RZA, he signed a contract with Tommy Boy at the same time, for a single that became the simple and easygoing “Ooh, I Love You, Rakeem”, released under the name Prince Rakeem. Under the name The Genius, he released a first album, Words from the Genius, produced for the most part by Easy Mo Bee, who had just created several tracks for Big Daddy Kane and would go onto produce “Party and Bullshit”, the first single of none other than the Notorious B.I.G. Grice, three years his senior, who was yet to take on the name GZA, signed with the label Cold Chillin’, which had already launched the careers of MC Shan, Biz Markie, and Big Daddy Kane, forerunners of the period between 19. More tracks like Dr.In 1990, his cousin Gary E.Genre Hip-hop & Rap Comment by User 149757633 Dre's first solo album after he had departed from hip hop group N.W.A and its label Ruthless Records over a financial dispute The album is named after a slang term for high-grade cannabis, and its cover is an homage to Zig-Zag rolling papers. Recording sessions for the album took place in June 1992 at Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood. It was released on December 15, 1992, by his own record label Death Row Records and distributed by Interscope Records. ![]() The Chronic is the debut studio album by American hip hop producer and rapper Dr. This is not mine this is where I got it from
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